Miscellaneous Environment Stuff

Managed to get in the darkroom a few days later and get another sunset picture printed, this time I deliberately added a bit of warmth to the image by altering the colours a bit. I think this adds to the image a great deal, multiplying the colour that was already there and adding it to areas that were previously quite plain.

My scanner is now pretty much useless, so i've resorted to taking photos of my prints with my iPhone, so excuse the grainy, distorted quality:

I've also managed to get hold of a Mamiya again for a while, so I took it out to take some general photographs, with no distinct subject, mainly to improve my understanding of the camera and as a way of practicing full manual film photography.

I decided to venture out to a local public house by the name of "Hall Place" as it was a nice day and I thought I could find something good to snap there. I wasn't wrong, as the house itself provided a great, almost picturesque, manor house-type subject.

I set up to take the first shot, had everything ready and metered & focussed. As I removed the darkslide to expose, a rougue goose stuck it's head up into frame and ruined my shot, costing me an exposure on the film, I wasn't most pleased although it was quite funny after when I saw the picture for the first time. I shooed the goose away and tried agin, this time the photograph was much better.

I also attempted to take photographs of a few notable trees in the local area, there were a few that stood out because of their size, location and separation from others. I thought they would make good subjects to practice on.

Overall I was very happy with this unrelated photographic venture, because it gave me some much needed experience with the Mamiya and was another opportunity to drill the process of manual photography into my brain, so it wasn't a wasted effort. (And I got some good shots out of it too I think)

Next up: The body :)

Environment: Sunset Shoots

Major hate for my scanner at this moment in time, it's currently casting a weird glow on everything I scan and I have no idea how to stop it. :S

Anyhoo, here be some contact sheets from when I went out and about with a Mamiya RZ to shoot sunsets at golden hour, I decided to keep the location the same so I was able to show the difference in colour and shapes found in the sky depending on day, time and weather. I shot the contents of these two rolls of film over a period of 4 different days ad was rather disappointed with the results if i'm completely honest.

However, this is because i'm used to shooting with RAW digital files on my 7D, and the ability to manipulate them to get the best shot is too easy to pass up, with film you are a lot more limited to altering the colour cast and brightness of the prints during post-production.

Despite this, I think that I was able to come out of this attempt with a few decent photographs that I can print bigger in order to examine them a little better. I do hope to, weather permitting, go out again and re-shoot a few more times so I can get some much better images, as I think the majority of these are a little dark. That's partly due to the fact that I didn't have access to a light-meter at the time of borrowing the equipment, to solve this problem, I took along my DSLR and used that to meter from the sky in "spot metering mode". This cheeky bit of resourcefulness managed to provide me with a fairly accurate way of metering, without actually possessing the film photographer's most important bit of kit.

These are two shots below that I have printed larger in order to assess the quality of the photographs, I think they are well exposed, if slightly dark in terms of foreground. Perhaps if I had metered for the mid-tones instead of the highlights in the sky, then I would have exposed much more evenly across the photograph, instead of just having a foreground silhouette.

Also, for comparison, here is a digital photograph that I took with my 7D whilst I was out there:

Obviously I prefer using digital, and I have a lot more experience with it, but it kind of defeats the point of learning, because it makes creating good photos too easy in a way, using film is more of a challenge, which will allow me to become a better photographer, I hope...

Eric Hines

Eric Hines is a 21-Year-Old Photographer and Timelapse Cinematographer from Valparaiso, Indiana.

The reflections in this photo are very clear, mirroring the colours in the sky almost perfectly.

A well balanced exposure made possible by a digital sensors more dynamic sensitivity.

Amazing colour from a shot that would normally just have a blue sky, made possible by good timing during golden hour.

Movement made possible by a longer shutter speed, greatly enhances the scene.

Eric is one of my current favourite landscape photographers because his photographs are amazing in terms of both composition, and timing; he has managed to capture the beauty of the sky with incredible clarity, he makes almost constant use of neutral density filters in order to limit the amount of light hitting his digital camera's sensor, allowing longer shutter speeds to create smoother tones in the sky and smoothing out water quite substantially.

I am particularly fascinated by Eric's use of water within his photographs to showcase movement during the exposure, and by reflecting the colours of the sky and doubling up the beauty they present to the viewer.

The meaning of these photographs, to me, is that there is still beauty left in the world, you just have to find it at the right place and at the right time. These photographs make me feel like nature's majesty can never truly be destroyed by humanity and the ruination we have and are still bringing to the world.

Environment: Part 1 Idea.

All my life I have been fascinated with the transition between day and night and the brief time where there is incredible colour in the sky, transforming the landscape into an almost ethereal and heavenly place. For the first half of my Environment section I would like to try and photograph sunsets, and the dramatic colours they create in the sky.

Sunsets are not a new thing to me, because I have always been interested in this time of day/night, I have previously attempted to take pictures of them, found here:

http://www.flickr.com/photos/metcalfedan/

Sunset view from Erith Pier, Erith

Sunrise view from Erith Pier, Erith (The Following Morning)

Sunset over Danson Lake, Bexley

These Photographs were taken with my digital camera over the summer and feature a selection of multiple images stitched together with Adobe Photoshop to create a seamless panoramic photograph. Capturing the beauty in the sky is something I genuinely love and will continue to photograph for a long time. But I have only ever shot them with digital cameras, I have never tried it with analogue film - something I have wanted to do for a while.

Object Shoot: Lost Love

This is one of the two almost identical shots that resulted from my object shoot, with the theme of "Lost Love".

This was my first real attempt at shooting the objects to fit the theme, and I was particularly unhappy with the results. I intended to create a dark, mysterious and overall sad setting, using soft light with plenty of shadows. In this photograph however, despite featuring a lot of shadow, the objects within the scene are too bright, and not nearly mysterious enough.

The objects in the picture represent my chosen theme quite well I think, the meaning of the objects is that of possessions, reminding of relationships, and 'lost loves'.
For example, the block of glass containing the Eiffel Tower was a souvenir from a romantic trip to paris, the pendant; a gift returned at the end of a relationship and the burnt & torn photographs; a hint at attempts to banish the past from memory by destroying/purging the photographs of the people's faces.
The biggest and most important symbol within this photograph is that of the wilted rose.
Roses have always had a strong symbolic meaning, with red roses being representative of love. This red rose is wilted - it has died, and this is a very strong representation that love itself has died too.

I decided I wanted to use a wilted rose after seeing various photographs of dead roses taken by a photographer named Gấu December. I found her whilst browsing through the newest uploads section on the website flickr.com. I was struck by her ability to render such usually beautiful and prefect flowers as imperfect and impure.

The photographs she has created differ to my idea in that they feature little to no shadow, yet I still felt greatly influenced by them enough to want to refer to them when trying to figure out how I was going to set up my shoot and decide upon what I wanted to include in the shot.

I would like to reshoot if possible, but due to studio availability and time constraints, it may not be an option, if I re-shot the still life, I would perhaps try and get closer to the subject for a more macro type photograph, as I think that the picture I have is lacking in a bit of depth and detail. I would also perhaps not use a black cloth as a base for the objects as it makes the scene a little confusing in terms of depth and understanding of what is happening within the scene. A white surface would make it easier, without ruining the overall mood of the scene, because there would still be a black backdrop present.